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The wreath was the most popular floral design of the nineteenth century and is still commonly used today at funerals, special occasions, and holidays. The wreath could be made in an endless array of styles and combinations from simple to ornate, either tightly arranged or in a loose spray. This allowed the florist to create designs that were either very formal or artistic. The wreath was the most profitable set design for the florist and depending on the size and materials, it ranged in price from $2 to $200, making it appealing to all socioeconomic statuses. Ribbons with inscriptions or lettering might appear on a wreath with phrases or the person's name. The wreath has a longstanding tradition of being used at funerals and was the earliest form of arranged flowers to be used in the funeral in the West. The classic wreath form, which has no end and no beginning, symbolized eternal life, love everlasting, and victory over death. This made it a meaningful choice for funeral tributes. The wreath was appropriate for all genders and ages and was the most frequently ordered sympathy design leading up to the twentieth century. The language of flowers was often applied to these forms, wheat might symbolize old age, oak leaves-strength, marguerites or small roses-an infant’s purity. The wreath was also closely linked to the holidays, and the tradition of hanging a Christmas wreath is followed by many Americans today. American Christmas traditions with plants and flowers are based on a collection of various immigrant traditions brought over from their native cultures. As a result of their plant lore holy, ivy, laurel, pine cones, straw, poinsettia, yule logs, and, most notably, the Christmas tree became tied to the American conception of the holiday. The wreath of holly was both the favorite and most traditional flower frame design, and it was tied with ribbon and berries for a decorative effect. Due to the timing of this holiday, few floral varieties were in bloom, making evergreens and immortelles other popular wreath materials.
Agnes Hodge · 1723–24