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mediumSteel· 3+techniqueLithography· 260+creatorLouis prang lithography company, active 1856 - 1899· 12+era20th century· 18+subjectBuildings· 10+cultureJapan· 18+mediumWatercolor· 5+techniqueAquatint· 15+creatorCharles balthazar julien févret de saint-mémin, 12 mar 1770 - 23 jun 1852· 426+eraBefore 500 ce· 2+

Works with all of these

Samuel Adams

Samuel Adams

George Graham, active 1786 - 1813 · c. 1795

techniqueMezzotint+mediumPaper+creatorGeorge Graham, active 1786 - 1813+

Patent Office, Washington

Patent Office, Washington

SI

Benson John Lossing, 12 Feb 1813 - 3 Jun 1891 · n.d.a.

techniqueWoodblock+techniqueEngraving+mediumPaper+mediumWood+creatorBenson John Lossing, 12 Feb 1813 - 3 Jun 1891+

Three Actors

Three Actors

Torii Kiyomasu II

techniqueWoodblock+mediumInk+mediumPaper+cultureJapan+era18th century+

United States Patent Office, Washington, D. C.

United States Patent Office, Washington, D. C.

Washington News Co., active c. 1909 - 1957 · c. 1915-30

techniqueLithography+creatorWashington News Co., active c. 1909 - 1957+

Unidentified Man

Unidentified Man

Charles Balthazar Julien Févret de Saint-Mémin, 12 Mar 1770 - 23 Jun 1852 · c. 1807 -08

techniqueEngraving+mediumPaper+creatorCharles Balthazar Julien Févret de Saint-Mémin, 12 Mar 1770 - 23 Jun 1852+

Joseph Clay

Joseph Clay

Charles Balthazar Julien Févret de Saint-Mémin, 12 Mar 1770 - 23 Jun 1852 · 1799

techniqueEngraving+mediumPaper+creatorCharles Balthazar Julien Févret de Saint-Mémin, 12 Mar 1770 - 23 Jun 1852+

Williams Carter

Williams Carter

Charles Balthazar Julien Févret de Saint-Mémin, 12 Mar 1770 - 23 Jun 1852 · 1809

techniqueEngraving+mediumPaper+creatorCharles Balthazar Julien Févret de Saint-Mémin, 12 Mar 1770 - 23 Jun 1852+

Benjamin McCulloch

Benjamin McCulloch

Unidentified Artist · c. 1861-62

techniqueLithography+mediumPaper+

Plate 20: Tomb of Caecilia Metella called the Capo di Bove (Ox Head) (Sepolcro di Metela detto Capo di Bove), from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)

Plate 20: Tomb of Caecilia Metella called the Capo di Bove (Ox Head) (Sepolcro di Metela detto Capo di Bove), from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)

Giovanni Battista Piranesi · ca. 1748

techniqueEtching+era18th century+subjectTombs+creatorGiovanni Battista Piranesi+

'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)

'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)

Goya (Francisco de Goya y Lucientes) · ca. 1815–19 (published 1864)

techniqueEtching+techniqueAquatint+era19th century+subjectMen+creatorGoya (Francisco de Goya y Lucientes)+

Boys Maquerading as Daikoku and Ebisu

Boys Maquerading as Daikoku and Ebisu

Kitao Shigemasa · ca. 1780

techniqueWoodblock+mediumInk+mediumPaper+cultureJapan+era18th century+

James G. Birney

James G. Birney

Nathaniel Currier, 27 Mar 1813 - 20 Nov 1888 · 1844

techniqueLithography+mediumPaper+creatorNathaniel Currier, 27 Mar 1813 - 20 Nov 1888+

Taylor Bird

Taylor Bird

Max Rosenthal, 23 Nov 1833 - 8 Aug 1918 · 1851

techniqueLithography+creatorMax Rosenthal, 23 Nov 1833 - 8 Aug 1918+

Isaac Henry

Isaac Henry

Charles Balthazar Julien Févret de Saint-Mémin, 12 Mar 1770 - 23 Jun 1852 · 1802

techniqueEngraving+mediumPaper+creatorCharles Balthazar Julien Févret de Saint-Mémin, 12 Mar 1770 - 23 Jun 1852+

Raccolta di teste

Raccolta di teste

Giovanni Domenico Tiepolo, Italian, 1727 – 1804 · 1750–1780

techniqueEtching+mediumPaper+creatorGiovanni Domenico Tiepolo, Italian, 1727 – 1804+

Prince Henry, Hotspur and Falstaff (Shakespeare, King Henry IV, Part 1, Act 5, Scene 4)

Prince Henry, Hotspur and Falstaff (Shakespeare, King Henry IV, Part 1, Act 5, Scene 4)

Thomas Ryder I · first published 1796; reissued 1852

techniqueEngraving+era18th century+subjectPrinces+subjectShakespeare+subjectMen+

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