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typeBound print· 2+mediumInk· 8+subjectHorses· 6+era17th century· 43+techniqueAquatint· 13+creatorGiovanni battista piranesi· 3+typeAlbum print ornament & architecture· 1+mediumSteel· 1+subjectPortraits· 9+era19th century· 33+

Works with all of these

Landscape with Alpheus and Arethusa, from "Six Mythological Scenes"

Landscape with Alpheus and Arethusa, from "Six Mythological Scenes"

Anthonie Waterloo · 17th century

typePrint+era17th century+subjectFemale Nudes+subjectLandscapes+Anthonie Waterloo

creator

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L'Enclos

L'Enclos

Jean Morin

typePrint+era17th century+subjectMen+subjectFishing+subjectLandscapes+

Madonna and Child

Madonna and Child

Parmigianino (Girolamo Francesco Maria Mazzola) · ca. 1524–27

techniqueEngraving+typePrint+era16th century+subjectBirds+subjectMadonna and Child+

Saint Livier, also called Saint Livar

Saint Livier, also called Saint Livar

Jacques Callot · ca. 1624

typePrint+era17th century+creatorJacques Callot+

Capidgi-Bachi, ou Maitre des Ceremonies, plate 15 from "Recueil de cent estampes représentent differentes nations du Levant"

Capidgi-Bachi, ou Maitre des Ceremonies, plate 15 from "Recueil de cent estampes représentent differentes nations du Levant"

Jean Baptiste Vanmour · 1714–15

techniqueEngraving+typePrint+era18th century+subjectMen+creatorJean Baptiste Vanmour+

Ulysses S. Grant

Ulysses S. Grant

James Fagan, 1864 - 1940 · 1899

mediumPaper+typePrint+creatorJames Fagan, 1864 - 1940+

Royal Portugese Funeral Monument (possibly part of a funeral book)

Royal Portugese Funeral Monument (possibly part of a funeral book)

Michel Bouteux · late 17th–early 18th century

typePrint+era17th century+subjectArchitecture+subjectSkeletons+subjectFunerals+

Raccolta di teste

Raccolta di teste

Giovanni Domenico Tiepolo, Italian, 1727 – 1804 · 1750–1780

mediumPaper+typePrint+creatorGiovanni Domenico Tiepolo, Italian, 1727 – 1804+

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Goya (Francisco de Goya y Lucientes) · 1797–98

techniqueAquatint+typePrint+era18th century+subjectFans+subjectWomen+

Hunting Scene with a Dog Attacking a Bird

Hunting Scene with a Dog Attacking a Bird

Charles Dagomer, French, active 1750 – d.1766 · 1755–76

techniqueEngraving+mediumInk+mediumPaper+typePrint+creatorCharles Dagomer, French, active 1750 – d.1766+

Plate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses'

Plate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses'

Antonio Tempesta · 1606

typePrint+era17th century+subjectMedea+subjectDragons+subjectFire+

Riche Diligence montée sur des Ressorts en C.

Riche Diligence montée sur des Ressorts en C.

Janel, French, active 18th century · 1760-1790

techniqueEngraving+mediumPaper+typePrint+creatorJanel, French, active 18th century+

A Meal in a Tavern

A Meal in a Tavern

Adriaen van Ostade · 1664

typePrint+era17th century+subjectTaverns+subjectDogs+subjectDrinking+

Mary, Queen of Scots

Mary, Queen of Scots

Robert Strange · mid-18th century

techniqueEngraving+typePrint+era18th century+subjectQueens+subjectPortraits+

The Enchanted Island, Before the Cell of Prospero - Prospero and Miranda (Shakespeare, The Tempest, Act 1, Scene 1)

The Enchanted Island, Before the Cell of Prospero - Prospero and Miranda (Shakespeare, The Tempest, Act 1, Scene 1)

Benjamin Smith · originally published 1797; reissued 1852

techniqueEngraving+typePrint+era19th century+subjectShakespeare+subjectMen+

Prospect of ye lower part of Tangier, from the hill West of White-hall, from "Views of Tangier"

Prospect of ye lower part of Tangier, from the hill West of White-hall, from "Views of Tangier"

Wenceslaus Hollar · 1669–73

typePrint+era17th century+subjectFortification+subjectSoldiers+subjectWeapons+