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typeBook prints· 1+mediumWatercolor· 4+subjectTrees· 7+era18th century· 37+techniqueAquatint· 14+creatorWenceslaus hollar· 5+typeAlbum prints ornament & architecture· 5+mediumVellum· 1+subjectSatire· 11+era19th century· 36+

Works with all of these

Boats Rowed Through Inundated Ruins

Boats Rowed Through Inundated Ruins

Virgil Solis · ca. 1550–62

typePrint+era16th century+subjectHuman Figures+subjectArches+subjectColumns

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A French Dentist Shewing a Specimen of His Artificial Teeth and False Palates

A French Dentist Shewing a Specimen of His Artificial Teeth and False Palates

Thomas Rowlandson · 1811

typePrint+era19th century+subjectSatire+subjectMen+subjectWomen+

Fantastical Mask with Strapwork

Fantastical Mask with Strapwork

Anonymous, French, 16th century · mid-16th century

techniqueEngraving+typePrint ornament & architecture+era16th century+subjectMasks+

The Bostonians Paying the Excise-Man, or Tarring & Feathering

The Bostonians Paying the Excise-Man, or Tarring & Feathering

Philip Dawe · October 31, 1774

techniqueMezzotint+typePrint+era18th century+subjectSatire+subjectMen+

Dangerous Caresses

Dangerous Caresses

Joseph de Longueil

techniqueEngraving+typePrint+era18th century+subjectWomen+subjectCats+

Neamathla

Neamathla

Unidentified Artist · c. 1850

techniqueEngraving+mediumPaper+typePrint+

Cartouches Nouvellement Inventez par J.B. Toro

Cartouches Nouvellement Inventez par J.B. Toro

Jean Bernard Toro · 1716

typeAlbum prints ornament & architecture+era18th century+subjectCartouches+subjectGrotesques+subjectOrnament+

View of Venice from the Grand Canal

View of Venice from the Grand Canal

Thomas Moran, American, b. Britain, 1837–1926 · 1888

mediumInk+mediumPaper+typeArchitecture+creatorThomas Moran, American, b. Britain, 1837–1926+

Entrée de M. de Brionne (Entrance of Monsieur de Brionne), from "Le Combat a la Barrière"

Entrée de M. de Brionne (Entrance of Monsieur de Brionne), from "Le Combat a la Barrière"

Jacques Callot · 1627

typePrint+era17th century+creatorJacques Callot+

Mary Cassatt at the Louvre: The Etruscan Gallery

Mary Cassatt at the Louvre: The Etruscan Gallery

Edgar Degas · 1879–80

techniqueAquatint+typePrint+era19th century+subjectMuseums+subjectWomen+

Portrait of Adam van Vianen, plate 18 from "Modelli Artificiosi (...), parte seconda"

Portrait of Adam van Vianen, plate 18 from "Modelli Artificiosi (...), parte seconda"

Theodor van Kessel · 1646–52

typeAlbum+era17th century+subjectMen+subjectPortraits+creatorTheodor van Kessel+

Geography

Geography

Francesco Bartolozzi, Italian, active England, 1727–1815 · 1788

techniqueEngraving+mediumInk+mediumPaper+typePrint+creatorFrancesco Bartolozzi, Italian, active England, 1727–1815+

Prospect of ye lower part of Tangier, from the hill West of White-hall, from "Views of Tangier"

Prospect of ye lower part of Tangier, from the hill West of White-hall, from "Views of Tangier"

Wenceslaus Hollar · 1669–73

typePrint+era17th century+subjectFortification+subjectSoldiers+subjectWeapons+

Portrait of Maximilian III, Archduke of Austria

Portrait of Maximilian III, Archduke of Austria

Jonas Suyderhoef · ca. 1650

techniqueEngraving+typePrint+era17th century+subjectMen+subjectPortraits+

Plate 6: a cartouche with a ram skull at top center, grapes and other fruits to either side, from "Twelve cartouches" (Recueil de douze cartouches)

Plate 6: a cartouche with a ram skull at top center, grapes and other fruits to either side, from "Twelve cartouches" (Recueil de douze cartouches)

François Collignon · ca. 1640–45

typePrint+era17th century+subjectCartouches+subjectGrapes+subjectSkulls+

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Goya (Francisco de Goya y Lucientes) · 1797–98

techniqueAquatint+typePrint+era18th century+subjectFans+subjectWomen+