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typeArchitecture· 1+subjectOrnament· 5+mediumWatercolor· 4+era17th century· 39+techniqueEngraving· 33+creatorAdriaen van ostade· 2+typeAnimals· 1+subjectLandscapes· 9+mediumInk· 5+eraBefore 500 ce· 1+

Works with all of these

The Ewe

The Ewe

Adrian van de Velde, Dutch, 1636 - 1672 · 1670

mediumPaper+typePrint+creatorAdrian van de Velde, Dutch, 1636 - 1672+

Plate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses'

Plate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses'

MET

Antonio Tempesta · 1606

typePrint+era17th century+subjectMedea+subjectDragons+subjectFire+

The Temptation of St. Anthony

The Temptation of St. Anthony

Hieronymus Bosch · 1561

techniqueEngraving+typePrint+era16th century+subjectMonsters+subjectFish+

La Présentation au Peuple (The Presentation of Christ to the People), from "La Grande Passion" (The Large Passion)

La Présentation au Peuple (The Presentation of Christ to the People), from "La Grande Passion" (The Large Passion)

Jacques Callot · ca. 1619–24

techniqueEngraving+typePrint+era17th century+creatorJacques Callot+

Cartouches Nouvellement Inventez par J.B. Toro

Cartouches Nouvellement Inventez par J.B. Toro

Jean Bernard Toro · 1716

typeAlbum prints ornament & architecture+era18th century+subjectCartouches+subjectGrotesques+subjectOrnament+

Plate 2 from "La Tauromaquia": Another way of hunting on foot

Plate 2 from "La Tauromaquia": Another way of hunting on foot

Goya (Francisco de Goya y Lucientes) · 1816

techniqueAquatint+typePrint+era19th century+subjectWeapons+subjectMen+

'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)

'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)

Goya (Francisco de Goya y Lucientes) · ca. 1815–19 (published 1864)

techniqueAquatint+typePrint+era19th century+subjectMen+creatorGoya (Francisco de Goya y Lucientes)+

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Goya (Francisco de Goya y Lucientes) · 1797–98

techniqueAquatint+typePrint+era18th century+subjectFans+subjectWomen+

Fantastical Mask with Strapwork

Fantastical Mask with Strapwork

Anonymous, French, 16th century · mid-16th century

techniqueEngraving+typePrint ornament & architecture+era16th century+subjectMasks+

Fortitude and Justice

Fortitude and Justice

Battista Franco · ca. 1530–61

typePrint+era16th century+subjectColumns+subjectWomen+subjectAllegory+

The Abduction of Dejanira, at center in the arms of the centaur Nessus, Hercules at right shooting the centaur with an arrow, Achelous reclining with his cornucopia at lower right

The Abduction of Dejanira, at center in the arms of the centaur Nessus, Hercules at right shooting the centaur with an arrow, Achelous reclining with his cornucopia at lower right

Battista Franco · ca. 1530–61

typePrint+era16th century+subjectBow and Arrow+subjectHercules+subjectCentaurs+

Bust of a Woman Wearing a Fantastic Head-dress and Mask

Bust of a Woman Wearing a Fantastic Head-dress and Mask

René Boyvin

typePrint+era16th century+subjectMasks+subjectWomen+subjectHeaddresses+

Raccolta di teste

Raccolta di teste

Giovanni Domenico Tiepolo, Italian, 1727 – 1804 · 1750–1780

mediumPaper+typePrint+creatorGiovanni Domenico Tiepolo, Italian, 1727 – 1804+

The Enchanted Island, Before the Cell of Prospero - Prospero and Miranda (Shakespeare, The Tempest, Act 1, Scene 1)

The Enchanted Island, Before the Cell of Prospero - Prospero and Miranda (Shakespeare, The Tempest, Act 1, Scene 1)

Benjamin Smith · originally published 1797; reissued 1852

techniqueEngraving+typePrint+era19th century+subjectShakespeare+subjectMen+

Prospect of ye lower part of Tangier, from the hill West of White-hall, from "Views of Tangier"

Prospect of ye lower part of Tangier, from the hill West of White-hall, from "Views of Tangier"

Wenceslaus Hollar · 1669–73

typePrint+era17th century+subjectFortification+subjectSoldiers+subjectWeapons+

The Duel (Le Duel), from Essay on Butterflies Masquerading as Humans (Essai de Papilloneries Humaines)

The Duel (Le Duel), from Essay on Butterflies Masquerading as Humans (Essai de Papilloneries Humaines)

Charles Germain de Saint-Aubin · ca. 1756–60

typePrint+era18th century+subjectButterflies+creatorCharles Germain de Saint-Aubin+