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typeAnimals· 1+mediumSteel· 1+techniqueMezzotint· 3+subjectMen· 58+era19th century· 38+creatorJacques callot· 8+typeBook· 7+mediumVellum· 1+techniqueEngraving· 59+subjectHuman figures· 6+

Works with all of these

L'HISTOIRE

L'HISTOIRE

Jacques de Lajoüe, French, 1687–1761 · 1737

techniqueEngraving+mediumPaper+typeBound print+creatorJacques de Lajoüe, French, 1687–1761+

Riche Diligence montée sur des Ressorts en C.

Riche Diligence montée sur des Ressorts en C.

SI

Janel, French, active 18th century · 1760-1790

techniqueEngraving+mediumPaper+typePrint+creatorJanel, French, active 18th century+

Saint Sebastian

Saint Sebastian

Simone Cantarini, Italian, 1612 - 1648 · ca. 1640

mediumPaper+typePrint+creatorSimone Cantarini, Italian, 1612 - 1648+

Elevation developée d'une Grille et Fontaine posée en tour creuse aux angles de la Place Royale de Nancy

Elevation developée d'une Grille et Fontaine posée en tour creuse aux angles de la Place Royale de Nancy

Jean Lamour, French, 1698–1771 · 1753

mediumPaper+typeBound print+creatorJean Lamour, French, 1698–1771+

Seaport Scene

Seaport Scene

Reinier Nooms, called Zeeman · 17th century

typePrint+era17th century+subjectHuman Figures+subjectWorking+creatorReinier Nooms, called Zeeman+

Plate 2 from "La Tauromaquia": Another way of hunting on foot

Plate 2 from "La Tauromaquia": Another way of hunting on foot

Goya (Francisco de Goya y Lucientes) · 1816

techniqueAquatint+typePrint+era19th century+subjectWeapons+subjectMen+

Designs for Cartouches

Designs for Cartouches

Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761

techniqueEngraving+mediumPaper+typeBound print+creatorGilles-Marie Oppenord, French, 1672–1742+

Capidgi-Bachi, ou Maitre des Ceremonies, plate 15 from "Recueil de cent estampes représentent differentes nations du Levant"

Capidgi-Bachi, ou Maitre des Ceremonies, plate 15 from "Recueil de cent estampes représentent differentes nations du Levant"

Jean Baptiste Vanmour · 1714–15

techniqueEngraving+typePrint+era18th century+subjectMen+creatorJean Baptiste Vanmour+

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Goya (Francisco de Goya y Lucientes) · 1797–98

techniqueAquatint+typePrint+era18th century+subjectFans+subjectWomen+

Two Ducks in a Landscape

Two Ducks in a Landscape

Jean-Baptiste Huët, French, 1745–1811 · 1772

techniqueEngraving+mediumInk+mediumPaper+typePrint+creatorJean-Baptiste Huët, French, 1745–1811+

Ornaments Chinois (Bound Collection of Chinoiserie Panels)

Ornaments Chinois (Bound Collection of Chinoiserie Panels)

François Vivares · ca. 1765

typeBook+era18th century+creatorFrançois Vivares+

Le Songe d'un habitant du Mogol

Le Songe d'un habitant du Mogol

Félix Bracquemond · 1886

typePrint+era19th century+subjectMen+creatorFélix Bracquemond+

Communipaw, New Jersey

Communipaw, New Jersey

Thomas Moran, American, b. Britain, 1837–1926 · 1884

mediumPaper+typeLandscapes+creatorThomas Moran, American, b. Britain, 1837–1926+

Imperial Botany–or a Peep at Josephine's Collection of Engilsh Exoticks, vide the Champion Jany 30, 1814

Imperial Botany–or a Peep at Josephine's Collection of Engilsh Exoticks, vide the Champion Jany 30, 1814

Charles Williams · March 1, 1814

typePrint+era19th century+subjectSatire+subjectMen+subjectWomen+

Vestibule du Grand Escalier de Versailles

Vestibule du Grand Escalier de Versailles

Charles Le Brun, French, 1619–1690 · 1721-1728

techniqueEngraving+mediumPaper+typeBound print+creatorCharles Le Brun, French, 1619–1690+

Reverse Copy of La Promenade (The Walk), from "Les Caprices" Series A, The Florence Set

Reverse Copy of La Promenade (The Walk), from "Les Caprices" Series A, The Florence Set

Anonymous · 17th century

typePrint+era17th century+subjectMen+subjectWomen+

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