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typeAlbum prints ornament & architecture· 5+mediumSteel· 1+techniqueWoodblock· 1+subjectHorses· 6+era17th century· 53+creatorJean bernard toro· 5+typeBook· 7+mediumWatercolor· 4+techniqueDrypoint· 6+subjectLandscapes· 10+

Works with all of these

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 17)

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 17)

Hans Vredeman de Vries · 1555 or after

techniqueEngraving+typeAlbum print ornament & architecture+era16th century+subjectCartouches

+

subjectOrnament+

Imperial Botany–or a Peep at Josephine's Collection of Engilsh Exoticks, vide the Champion Jany 30, 1814

Imperial Botany–or a Peep at Josephine's Collection of Engilsh Exoticks, vide the Champion Jany 30, 1814

Charles Williams · March 1, 1814

typePrint+era19th century+subjectSatire+subjectMen+subjectWomen+

'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)

'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)

Goya (Francisco de Goya y Lucientes) · ca. 1815–19 (published 1864)

techniqueAquatint+typePrint+era19th century+subjectMen+creatorGoya (Francisco de Goya y Lucientes)+

Plate 20: Tomb of Caecilia Metella called the Capo di Bove (Ox Head) (Sepolcro di Metela detto Capo di Bove), from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)

Plate 20: Tomb of Caecilia Metella called the Capo di Bove (Ox Head) (Sepolcro di Metela detto Capo di Bove), from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)

Giovanni Battista Piranesi · ca. 1748

typePrint+era18th century+subjectTombs+creatorGiovanni Battista Piranesi+

The Father of the Jewish Bride

The Father of the Jewish Bride

Georg Friedrich Schmidt, French school, 1712 - 1775 · 1770

mediumPaper+typePrint+creatorGeorg Friedrich Schmidt, French school, 1712 - 1775+

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Goya (Francisco de Goya y Lucientes) · 1797–98

techniqueAquatint+typePrint+era18th century+subjectFans+subjectWomen+

Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795

Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795

Jean-Baptiste Tilliard · 1795

typePrint+era18th century+subjectGarlands+subjectMen+subjectWomen+

Plate, from Le Jugement Universal

Plate, from Le Jugement Universal

Tommaso Piroli, Italian, 1752 - 1824 · 1808

mediumPaper+typePrint+creatorTommaso Piroli, Italian, 1752 - 1824+

The Abduction of Dejanira, at center in the arms of the centaur Nessus, Hercules at right shooting the centaur with an arrow, Achelous reclining with his cornucopia at lower right

The Abduction of Dejanira, at center in the arms of the centaur Nessus, Hercules at right shooting the centaur with an arrow, Achelous reclining with his cornucopia at lower right

Battista Franco · ca. 1530–61

typePrint+era16th century+subjectBow and Arrow+subjectHercules+subjectCentaurs+

Foundling Hospital, The Chapel

Foundling Hospital, The Chapel

Thomas Rowlandson · October 1, 1808

techniqueAquatint+typePrint+era19th century+subjectInteriors+subjectChapels+

Figure Studies

Figure Studies

François Boucher, French, 1703–1770 · 1735

mediumPaper+typePrint+creatorFrançois Boucher, French, 1703–1770+

Christ Bearing His Cross

Christ Bearing His Cross

Simone Cantarini, Italian, 1612 - 1648 · ca. 1640

mediumPaper+typePrint+creatorSimone Cantarini, Italian, 1612 - 1648+

Dangerous Caresses

Dangerous Caresses

Joseph de Longueil

techniqueEngraving+typePrint+era18th century+subjectWomen+subjectCats+

Portrait of Albert VII, Archduke of Austria

Portrait of Albert VII, Archduke of Austria

Jonas Suyderhoef · ca. 1650

techniqueEngraving+typePrint+era17th century+subjectPortraits+subjectWomen+

Autumn and Winter: two heads made from flora typical of those seasons

Autumn and Winter: two heads made from flora typical of those seasons

Anonymous, Italian, 16th to early 17th century · ca. 1580–1620

typePrint+era16th century+subjectFruit+subjectTrees+subjectAutumn+

The Spanish Banquet

The Spanish Banquet

Jan Cornelisz Vermeyen · 1545

techniqueEngraving+typePrint+era16th century+subjectFood+subjectMen+

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