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typeBound print· 2+subjectTrees· 7+mediumInk· 6+era19th century· 33+techniqueAquatint· 13+creatorAbraham bosse· 2+typeOrnament· 2+subjectOrnament· 5+mediumGouache· 3+eraBefore 500 ce· 2+

Works with all of these

The Temptation of St. Anthony

The Temptation of St. Anthony

Hieronymus Bosch · 1561

techniqueEngraving+typePrint+era16th century+subjectMonsters+subjectFish+

Sailors Regaling

Sailors Regaling

Thomas Rowlandson · September 1, 1803

typePrint+era19th century+subjectMen+subjectWomen+subjectDrinking+

Satyr family, on the move

Satyr family, on the move

Salomon Gessner · 18th century

typePrint+era18th century+subjectSatyrs+creatorSalomon Gessner+

Capidgi-Bachi, ou Maitre des Ceremonies, plate 15 from "Recueil de cent estampes représentent differentes nations du Levant"

Capidgi-Bachi, ou Maitre des Ceremonies, plate 15 from "Recueil de cent estampes représentent differentes nations du Levant"

Jean Baptiste Vanmour · 1714–15

techniqueEngraving+typePrint+era18th century+subjectMen+creatorJean Baptiste Vanmour+

Title Page, The Caricature Magazine by G. M. Woodward, vol. 4

Title Page, The Caricature Magazine by G. M. Woodward, vol. 4

Thomas Rowlandson · [1809] 1821

typePrint+era19th century+subjectSatire+subjectCaricature+creatorThomas Rowlandson+

Une Sirène entre deux Vaisseaux (A Siren Between Two Ships), plate 17 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)

Une Sirène entre deux Vaisseaux (A Siren Between Two Ships), plate 17 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)

Jacques Callot · 1621–35

typePrint+era17th century+creatorJacques Callot+

Plate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses'

Plate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses'

Antonio Tempesta · 1606

typePrint+era17th century+subjectMedea+subjectDragons+subjectFire+

Interior of a barn with an unloading haywagon

Interior of a barn with an unloading haywagon

Jean Louis de Marne (called Demarnette)

techniqueDrypoint+typePrint+eraBefore 500 ce+subjectBarns+subjectWomen+

Les Ruines a gauche

Les Ruines a gauche

Jean Morin

typePrint+era17th century+subjectRuins+subjectTrees+creatorJean Morin+

Architecture

Architecture

Johann Georg Hertel · 18th century

techniqueEngraving+typePrint+era18th century+subjectArchitecture+subjectPutti+

Bearded man with chain necklace, possibly from "A Collection of Original Etchings"

Bearded man with chain necklace, possibly from "A Collection of Original Etchings"

Wenceslaus Hollar · 1647

typePrint+era17th century+subjectMen+subjectProfiles+creatorWenceslaus Hollar+

The Penitent Saint Mary Magdalene, kneeling before a skull and bones

The Penitent Saint Mary Magdalene, kneeling before a skull and bones

Giulio Carpioni · 1640–60

typePrint+era17th century+creatorGiulio Carpioni+

Fortitude and Justice

Fortitude and Justice

Battista Franco · ca. 1530–61

typePrint+era16th century+subjectColumns+subjectWomen+subjectAllegory+

Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)

Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)

Goya (Francisco de Goya y Lucientes) · 1810 (published 1863)

techniqueDrypoint+typePrint+era19th century+subjectCorpses+subjectMen+

Trophy Design

Trophy Design

Jean-Charles Delafosse, French, 1734 – 1789 · late 18th century

mediumPaper+typePrint+creatorJean-Charles Delafosse, French, 1734 – 1789+

ATTRIBUT D’AMOUR

ATTRIBUT D’AMOUR

Jean-Charles Delafosse, French, 1734 – 1789 · late 18th century

mediumPaper+typePrint+creatorJean-Charles Delafosse, French, 1734 – 1789+

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