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typeArchitecture· 1+techniqueEtching· 14+era18th century· 2+mediumPaper· 8+subjectLandscapes· 1+creatorGoya (francisco de goya y lucientes)· 4+typeModels and prototypes· 1+techniqueEngraving· 1+era19th century· 8+mediumWatercolor· 1+

Works with all of these

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Goya (Francisco de Goya y Lucientes) · 1797–98

techniqueEtching+typePrint+era18th century+subjectFans+Women

subject

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Doctor Botherum, The Montebank

Doctor Botherum, The Montebank

Thomas Rowlandson · March 6, 1800

techniqueEtching+typePrint+era19th century+subjectSatire+subjectChildren+

Modo de Volar (A Way of Flying), plate 13 in Disparates (Proverbs)

Modo de Volar (A Way of Flying), plate 13 in Disparates (Proverbs)

Francisco de Goya y Lucientes, Spanish, 1746 - 1828 · 1865–66

techniqueEtching+mediumPaper+typeModels and prototypes+creatorFrancisco de Goya y Lucientes, Spanish, 1746 - 1828+

Foundling Hospital, The Chapel

Foundling Hospital, The Chapel

Thomas Rowlandson · October 1, 1808

techniqueEtching+typePrint+era19th century+subjectInteriors+subjectChapels+

Otras Leyes por El Pueblo (Other Laws for the People)

Otras Leyes por El Pueblo (Other Laws for the People)

Francisco de Goya y Lucientes, Spanish, 1746 - 1828 · 1877

techniqueEtching+mediumPaper+typeAnimals+creatorFrancisco de Goya y Lucientes, Spanish, 1746 - 1828+

The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"

The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"

Goya (Francisco de Goya y Lucientes) · 1816

techniqueEtching+typePrint+era19th century+subjectMen+subjectSports+

Harlech Castle, North Wales

Harlech Castle, North Wales

Thomas Moran, American, b. Britain, 1837–1926 · 1882

techniqueEtching+mediumInk+mediumPaper+typeArchitecture+creatorThomas Moran, American, b. Britain, 1837–1926+

Head of a Woman

Head of a Woman

Eugène Carrière · ca. 1904

typePrint+era20th century+subjectHeads+subjectWomen+creatorEugène Carrière+

Marquis de Lafayette

Marquis de Lafayette

Charles Francois Gabriel Levachez, 1760 - 1820 · 1790

techniqueEngraving+mediumPaper+typePrint+creatorCharles Francois Gabriel Levachez, 1760 - 1820+

Dead Toreador

Dead Toreador

Edouard Manet · 1867–68

techniqueEtching+mediumPaper+typePrint+era19th century+subjectMen+

Késkètomah, Ancien Sachem de la Nation Onondaga

Késkètomah, Ancien Sachem de la Nation Onondaga

Barthélemy-Joseph-Fuleran Roger, 1770 - 1840 · 1801

mediumPaper+typeBook+creatorBarthélemy-Joseph-Fuleran Roger, 1770 - 1840+

Mary Cassatt au Louvre

Mary Cassatt au Louvre

Edgar Degas, 19 Jul 1834 - 27 Sep 1917 · 1879-80 (printed 1919-20 from cancelled plate)

techniqueEtching+typePrint+creatorEdgar Degas, 19 Jul 1834 - 27 Sep 1917+

Plate 2 from "La Tauromaquia": Another way of hunting on foot

Plate 2 from "La Tauromaquia": Another way of hunting on foot

Goya (Francisco de Goya y Lucientes) · 1816

techniqueEtching+typePrint+era19th century+subjectWeapons+subjectMen+

Bonneville, Savoy, part XIII, plate 64 from "Liber Studiorum"

Bonneville, Savoy, part XIII, plate 64 from "Liber Studiorum"

Joseph Mallord William Turner · January 1, 1819

techniqueEtching+typePrint+era19th century+subjectMen+subjectWomen+

Mary Cassatt at the Louvre: The Etruscan Gallery

Mary Cassatt at the Louvre: The Etruscan Gallery

Edgar Degas · 1879–80

techniqueEtching+typePrint+era19th century+subjectMuseums+subjectWomen+

South Sea House Dividend Hall, from "Ackermann's Repository"

South Sea House Dividend Hall, from "Ackermann's Repository"

Thomas Rowlandson, British, 1756–1827 · 1810

mediumWatercolor+mediumPaper+typePrint+creatorThomas Rowlandson, British, 1756–1827+