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subjectMen×Clear

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era16th century· 50+typePlate· 4+subjectDogs· 20+mediumCanvas· 52+techniqueGlazing· 4+cultureFrench· 5+creatorGoya (francisco de goya y lucientes)· 9+era15th century· 28+typeBaseball card· 9+subjectWomen· 115+

Works with all of these

[Major General William Tecumseh Sherman Wearing Mourning Armband]

[Major General William Tecumseh Sherman Wearing Mourning Armband]

Brady & Co. · 1865

techniqueAlbumen print+mediumSilver+mediumGlass+typePhotograph+era19th century

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Miraculous fountain

Miraculous fountain

José Guadalupe Posada · ca 1890–1910

techniqueEngraving+typePrint+era20th century+subjectFountains+subjectChildren+

Print from the series Long Live Japan: One Hundred Victories, One Hundred Laughs

Print from the series Long Live Japan: One Hundred Victories, One Hundred Laughs

Kobayashi Kiyochika · 1904–5

techniqueWoodblock+mediumInk+mediumPaper+typePrint+cultureJapan+

Portrait of a Man

Portrait of a Man

Jacob Backer · ca. 1645–50

mediumChalk+mediumInk+mediumPaper+typeDrawing+era17th century+

Ranuccio II (Farnese), 6th Duke of Parma and Piacenza (b. 1630, r. 1646–94)

Ranuccio II (Farnese), 6th Duke of Parma and Piacenza (b. 1630, r. 1646–94)

Gasparo Morone · late 17th century

mediumBronze+typeMedal+era17th century+subjectPortraits+subjectProfiles+

Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795

Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795

Jean-Baptiste Tilliard · 1795

techniqueEtching+typePrint+era18th century+subjectGarlands+subjectWomen+

Dish with a couple and phoenixes

Dish with a couple and phoenixes

late 17th–early 18th century

mediumPorcelain+typeDish+cultureChina+era18th century+subjectCouples+

Lot with His Daughters, from The Story of Lot

Lot with His Daughters, from The Story of Lot

Heinrich Aldegrever · 1555

techniqueEngraving+typePrint+era16th century+subjectWomen+subjectTrees+

Viens donc..., mon ami, je ne trouve pas ce tableau joli, from L'Exposition de 1859, published in Le Charivari, June 21, 1859

Viens donc..., mon ami, je ne trouve pas ce tableau joli, from L'Exposition de 1859, published in Le Charivari, June 21, 1859

Honoré Daumier · June 21, 1859

techniqueLithography+typePrint+era19th century+subjectWomen+creatorHonoré Daumier+

Otto, Count of Nassau and his Wife Adelheid van Vianen

Otto, Count of Nassau and his Wife Adelheid van Vianen

Bernard van Orley · 1530–35

mediumWatercolor+mediumChalk+mediumInk+typeDrawing+era16th century+

America

America

Beauvais · designed ca. 1786, woven 1790–91; chair frame second half 19th century

techniqueCarving+techniqueGilding+mediumSilk+mediumWool+mediumWood+

Pierre. Joseph, Adrien. 42 ans, né à Rouen (Seine-Inférieure). Canneleur de chaises. Anarchiste. 12/3/94.

Pierre. Joseph, Adrien. 42 ans, né à Rouen (Seine-Inférieure). Canneleur de chaises. Anarchiste. 12/3/94.

Alphonse Bertillon · 1894

techniqueAlbumen print+mediumSilver+mediumGlass+typeMugshot+era19th century+

Ennion Williams

Ennion Williams

Charles Willson Peale · 1776

mediumWatercolor+mediumIvory+typePainting+cultureAmerican+era18th century+

The Farriers

The Farriers

James McNeill Whistler · 1888

techniqueLithography+mediumInk+mediumPaper+typePrint+era19th century+

The Entrance to Ageya-machi, from the series Scenes in the Yoshiwara (Yoshiwara no tei)

The Entrance to Ageya-machi, from the series Scenes in the Yoshiwara (Yoshiwara no tei)

Hishikawa Moronobu · 1681–84

techniqueWoodblock+mediumInk+mediumPaper+typePrint+cultureJapan+

The Abduction of Rebecca

The Abduction of Rebecca

Eugène Delacroix · 1846

mediumOil paint+mediumCanvas+typePainting+era19th century+subjectBattles+